The Building Blocks of Piano Lessons: Aesthetic Experience through Improvisation
- Ai Sakae-Doser
- Dec 12, 2024
- 2 min read
What makes a good piano lesson? Is it just about practicing technical skills and teaching music theory? Or is there something deeper behind it? The answer lies in the emotional connection to music - an experience that must not only be taught, but lived.
A fulfilling piano lesson is much more than practice and theory. It thrives on creative moments, small personal successes and enthusiasm for the sound. When students don't just play the notes, but grasp the music with their soul and heart, an aesthetic experience is created - a moment that takes playing to a new level.

The Magic of Aesthetic Experience
Aesthetic experiences are difficult to put into words, but they touch us deeply. They arise when we not only hear music, but really perceive it - with all our senses and emotions. John Dewey put it succinctly: "The distinction between doing and experiencing suggests that the difference between aesthetic and artistic should not be taken too far."
In piano lessons, this means that technique (“doing”) and musical listening (“experiencing”) must be balanced. The only question is how teachers can achieve this balancing act.
Improvisation as the Key to Creativity
One of the most effective ways to encourage aesthetic experiences is improvisation. It gives students the opportunity to discover and express music in their own way. It is not about perfection, but about the joy of spontaneous creation.
Francis Schneider's "Almost nothing - and yet so much" with its improvisation models offers an inspiring basis for such teaching units. The students are introduced to improvisation step by step, develop their own ideas and experience how music is created - directly from themselves.
Why Improvisation is so Important
Improvisation is much more than a technique. It challenges students to sharpen their perception, find creative solutions and connect with the music on a deep, emotional level. This may be challenging for some, but it is precisely this challenge that makes the lessons lively and individual.
Music as a companion in life
The goal of piano lessons should not just be mastery of an instrument. Rather, it is about making music an integral part of the students' lives. As Ulrich Mahlert puts it: "Art becomes a focal point of life when it finds space in the lessons to be experienced and reflected on individually."

Conclusion
Piano lessons that focus on improvisation and aesthetic education offer much more than technical skills. They create a connection between students and music that goes beyond the classroom. Teachers have the opportunity to make music an indispensable part of their students' lives through creativity, inspiration and personal contact.
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